a gift from abuela

I’ve spent the last few weeks in upstate New York, and it’s been a gift to be able to see my grandmother (now 101 years old!). For many months she couldn’t have visitors because of COVID-19, and we’re all very aware that that could happen again—so any time together is precious beyond measure. Thinking of how much I value my grandmother’s presence and appreciate her support as an adult made Cecilia Ruiz’s picture book A Gift from Abuela feel even more poignant.

a gift from abuela by cecilia ruiz cover
The first time Abuela holds Nina, her heart overflows with tenderness. And as Nina grows up, she and Abuela spend plenty of time together. Abuela can’t help thinking how much she’d like to give Nina a very special treat, so she saves a little bit of her money every week — a few pesos here, a few pesos there. When the world turns upside down, Abuela’s dream of a surprise for Nina seems impossible. Luckily, time spent together — and the love Abuela and Nina have for each other — could turn out to be the very best gift of all. With a soft and subtle hand, author-illustrator Cecilia Ruiz draws from her own history to share a deeply personal tale about remembering what’s most important when life starts to get in the way.

In this Mexico City-set picture book, a child and grandmother are fast friends. However, as the child grows up, life gets in the way of visiting, and slowly they grow apart. One day, the child learns that their grandmother was saving money for a special gift, but because of political/economic upheaval, those savings became worthless. Together, grandmother and grandchild decide to make banners out of the old paper currency, and bond anew.

A Gift from Abuela is a heartfelt and bittersweet story notable for its unique setting and its celebration of the small habits and special moments spent together that make relationships memorable. Children who have seen the film Coco will find much to identify with in this story, as the same threads of family, remembrance, and art are woven through out. The narrative itself is simple and universal, and while it could be set anywhere in the world, the Mexico City setting is uniquely lovely. The papel picado (cut paper art used in celebratory banners in Mexico) border design on the cover, textures used throughout the book, and varying colors all add to that sense of setting and place.

The highlight, as it often (always?) is with picture books, is the art. Ruiz’s designs are symmetrical and almost architectural—and the page spreads often rely on these idealistic outlines of the grandmother’s kitchen/building/city for structure. In addition, Ruiz uses lots of patterns in primary colors, with a screen-printed effect. The art will appeal to adults just as much as the children.

This book would make a wonderful gift for a grandparent to share with their grandchild (no guarantees that the grandparent won’t cry, though!). It’s also a good candidate for cultural learning units that include Day of the Dead traditions (without a specific reference to that holiday). It’s a must for libraries that are looking to add to or feature diverse voices and experiences in their collections.

In all, A Gift from Abuela is a meticulously-illustrated and poignant look at the relationships between grandparents and grandchildren.

Recommended for: fans of culturally diverse picture books, parents, grandparents, and libraries looking for stories featuring Latinx characters, and anyone who enjoyed Dreamers, Juana & Lucas, and Duncan Tonatiuh’s picture books.

when stars are scattered

In 2018 I started volunteering at an immigration legal aid clinic. I wanted to find a way to help, and I needed to focus on positive change rather than my rage over how the US treats immigrants. Sometimes a happy side effect of helping others is that you see yourself more clearly, too. Soon after, I went back to school to become a teacher. And now I’m evaluating graphic novels about immigration to share with my students! The important things circle around (if you're paying attention!). This brings me to today’s book review: fantastic middle grade graphic novel When Stars Are Scattered by Victoria Jamieson and Omar Mohamed. Omar’s story is poignant, relevant, and beautifully illustrated: it’s well worth the read!

when stars are scattered by victoria jamieson and omar mohamed book cover
Omar and his younger brother, Hassan, have spent most of their lives in Dadaab, a refugee camp in Kenya. Life is hard there: never enough food, achingly dull, and without access to the medical care Omar knows his nonverbal brother needs. So when Omar has the opportunity to go to school, he knows it might be a chance to change their future . . . but it would also mean leaving his brother, the only family member he has left, every day.

Heartbreak, hope, and gentle humor exist together in this graphic novel about a childhood spent waiting, and a young man who is able to create a sense of family and home in the most difficult of settings. It’s an intimate, important, unforgettable look at the day-to-day life of a refugee, as told to
New York Times Bestselling author/artist Victoria Jamieson by Omar Mohamed, the Somali man who lived the story.

Meet Omar and Hassan, brothers who live in Dadaab, a huge refugee camp in Kenya. Forced to flee Somalia’s civil war when they were little, now every day in the camp they follow the same routine: pray, wait for water, clean the tent, and play. When Omar is offered the chance to attend school, he must balance his dreams with what he always thought of as his future: caring for Hassan, who has medical needs and does not speak, and waiting for their mother to find them. Omar loves school, but he worries that his thirst for learning means abandoning Hassan.

When Stars Are Scattered is a heavily autobiographical graphic novel about former refugee Omar Mohamed’s experiences as a young boy and teenager, illustrated, fictionalized, and co-told with celebrated graphic novelist Victoria Jamieson. At its core, When Stars Are Scattered is a story of two very different brothers growing up together, and the ways that they learn to trust each other and those around them. It’s also a story of experiences in a refugee camp, the privation of daily life and vanishingly small chances of resettlement, and how hope and despair can develop side by side. And lastly, it’s entertaining, bittersweet, and deeply authentic. I have read several refugee and immigrant graphic novels recently (The Unwanted, Illegal, Escape from Syria, Alpha, Undocumented), and this one is the most personal and accessible I have found. I think my students will eat it up.

The book is organized into three parts, or time periods: childhood, early teens, and late teens. At the end of the book Mohamed and Jamieson share real-life photographs of Omar and Hassan and others mentioned in the narrative, and add a small epilogue to tell you what happened “after the story.” This will please any reader who likes resolution to their stories, and it offers parents and educators a chance to connect Omar’s story to news stories and laws around immigration today. In addition, Mohamed and Jamieson discuss how they met and decided to tell Omar’s story together – interesting information for aspiring writers!

I want to touch on what I found most impressive about the book: that it is deeply personal, literarily valuable, and also offers a big picture view of refugee camp life that children and teens will relate to. Managing and balancing these three elements takes enormous talent and speaks to Jamieson and Mohamed’s skill. When I told my uncle about this book yesterday, he said, “That doesn’t sound like something that kids would just pick up on their own!” And if it was just the subject matter, he’d be right. But this is a story is told with heart-wrenching honesty, in an accessible and enjoyable format, and readers of all ages will root for Omar and Hassan to finally find “home.” I can see myself using When Stars Are Scattered as an additional reading suggestion when I teach The Odyssey in parallel with immigrant journey photo essays, and recommending it as choice reading to any of my students, full-stop.

Really quick before I wrap up, let’s talk about the art! It’s very colorful, and in Jamieson’s regular style (slightly rounded heads that are bigger than bodies). The focus is on human figures rather than landscape, and because there is so much story packed into the book, most pages are full of traditional comic panels. The occasional full-page illustration helps moderate the pacing. Visual and text elements that wouldn’t be immediately recognizable to an American audience are explained either in footnotes or as part of the story. As always in a graphic novel, the illustrations make or break the book. The book is fantastic, ergo… the art is perfectly suited to this story!

In all, When Stars Are Scattered is an engaging and necessary addition to any graphic novel library. Omar’s story (and all refugee and immigrant stories) is relevant for young people, and Jamieson and Mohamed have crafted a tale that will entertain, inform, and melt readers’ hearts.

Recommended for: all fans of graphic novels and comics, but especially the 10-15 year old crowd, readers and curators interested in a personal story of refugee life, and anyone who leans towards the nonfiction section when they get to pick their choice reading.


Unless I type up a review within minutes of finishing a book (a vanishingly rare occurrence!), I organize my thoughts by writing them down long-hand. And then… given my current rate of production… it may take a year or two to actually convert a review to a digital version and post it on my blog. In the autumn of 2018 I had a hugely productive couple of months, reading- and review-wise, and I’m only just now starting to think about posting those reviews. Yuyi Morales’ beautiful and much-lauded picture book Dreamers was one of those titles, and today I’m finally getting around to reviewing it. While my thoughts may not be as fresh, I can say with conviction that the art has stayed with me – vivid in memory. Morales’ talent has definite staying power.

dreamers by yuyi morales cover
In 1994, Yuyi Morales left her home in Xalapa, Mexico and came to the US with her infant son. She left behind nearly everything she owned, but she didn’t come empty-handed.

She brought her strength, her work, her passion, her hopes and dreams…and her stories. Caldecott Honor artist and five-time Pura Belpré winner Yuyi Morales’s gorgeous new picture book Dreamers is about making a home in a new place. Yuyi and her son Kelly’s passage was not easy, and Yuyi spoke no English whatsoever at the time. But together, they found an unexpected, unbelievable place: the public library. There, book by book, they untangled the language of this strange new land, and learned to make their home within it.

Dreamers is a celebration of what immigrants bring with them when they leave their homes. It’s a story about family. And it’s a story to remind us that we are all dreamers, bringing our own gifts wherever we roam. Beautiful and powerful at any time but given particular urgency as the status of our own Dreamers becomes uncertain, this is a story that is both topical and timeless.

In Dreamers a mother (Morales) tells her son about her journey to the United States. She illustrates becoming an immigrant, navigating a new life and new customs, and reacting to the new, foreign world around her. While this memoir leaves out some more practical details, it’s an immigrant story made accessible for all ages. Morales trails more difficult, mature clues throughout the illustrations, and discusses what happened in some detail in the back matter in a section entitled “My Story.” But the undisputed center of the story is when mother and son encounter a library for the first time: an improbable, suspicious, and imagination-sparking place that makes all of the previous difficulties palatable and traversable.

Morales writes:
“Books became our language.
Books became our home.
Books became our lives.”

This love letter to books and libraries is accompanied by astonishingly beautiful art – the true star of the book. Morales’ mixed media art pops on each pate, and color is used as a metaphor for opening the mind (it grows as the author settles into a new life and makes discoveries). I loved the use of color, the embroidery art, and textures. Accompanying the art and exuberance over books is a back matter index of “Books that Inspired Me” if the reader wants to follow Morales’ path.

The book as a whole is very positive, and the focus is not on the hardships of the immigration journey (though they are hinted at, as I mentioned above), but the wonder of libraries and books as places and things that can act as a catalyst for creativity and take you as far as you can imagine (or farther!). Side note: this isn’t a book about DREAMers or DACA recipients. It’s an artfully told exploration of opening doors and flowering creativity after a rough transition. It would pair especially well with other books that touch on those themes such as Juana & Lucas and The Day You Begin.

In all, Dreamers is a beautiful book that will inspire fanciful art as well as deep questions and conversations. It’s more of a stare-at-the-pictures kind of book, but would also work well during storytime if combined with lots of context.

Recommended for: every picture book library, and especially for bibliophiles, no matter their age.

the black god's drums

I’ve been meaning to read P. Djèlí Clark's novella The Black God's Drums for a long time. I’m proud to say I finally finished it (and that the long wait had nothing to do with the book itself, which was fast-paced, satisfying, and a romp and a half!). A couple of years ago I borrowed this novella from the library and racked up a $13 late fee – before returning it unread. *sigh* And then I bought a hardcover copy sometime in the past year… but teaching (and grading!) burned through all of my personal reading time. And THEN I finally bought a digital copy as well – to read whenever. And whenever happened to be over the last few days, sitting with my Kindle in the sunshine at my uncles’ place. It was extremely satisfying to check this one off my to-read list!

the black god's drums by p. djèlí clark book cover
Creeper, a scrappy young teen, is done living on the streets of New Orleans. Instead, she wants to soar, and her sights are set on securing passage aboard the smuggler airship 
Midnight Robber. Her ticket: earning Captain Ann-Marie’s trust using a secret about a kidnapped Haitian scientist and a mysterious weapon he calls the Black God’s Drums.

But Creeper keeps another secret close to heart—Oya, the African orisha of the wind and storms, who speaks inside her head and grants her divine powers. And Oya has her own priorities…

Young orphan Creeper sleeps rough and knows the ins and outs of a steampunk version of New Orleans from her life as a pickpocket. Her dreams are bigger than the streets she loves, though – she wants to get away, to join an airship crew and fly the world. When she stumbles upon valuable information about a weapon of mass destruction called the Black God’s Drums, she thinks that selling it to the right source may be her ticket out of town on a Haitian pirate airship. The goddess Oya, who haunts Creeper’s thoughts with visions, may have a different plan – and so the intrigue and adventure begin.

The Black God’s Drums is primarily young Creeper’s story, but it is firmly moored in an alternate history and place: a steampunk version of New Orleans full of airships and mechanical marvels, where the North and South signed a treaty to end a much longer Civil War and Free New Orleans rebelled and lives in its own bubble. In this version of reality, Creeper is on her own and a master at avoiding the risk and danger of her world, and at the same time trying to escape to live in the skies. She’s dropped into intrigue by accident (is it really an accident or Oya’s will?), and thus follows an adventure that crisscrosses New Orleans and brings her up against sinister enemies.

One of the story’s great strengths is the crazy steampunk and cultural mashup in its pages (and that’s also one of the possible weaknesses, if you can’t untangle the threads). It’s speculative fiction, which you always take a bit on faith, but it imagines a mostly hopeful past: one where Haiti thrived and prospered after its slave uprising and revolution (even at terrible cost), the rest of the Caribbean followed it to freedom, and Free New Orleans is a diverse melting pot full of a Blacks, Creoles, and more. Also there are airships! And unlikely information gatherers, and queer characters, and a rollicking pace that catapult the reader through adventures one after another.

The one thing I wish we got more of in the story is MORE of the story – I’d love to see this become a series like the Murderbot novellas by Martha Wells did. Clark has woven a history and a cultural milieu that are rich with detail, and characters you want to know more about. I think there’s more to Creeper’s story, and I’d love to read it.

In all, The Black God’s Drums is an inventive, electric steampunk short story filled with Haitian airship privateers, the unique flavor of New Orleans, and a young heroine who will steal into your heart.

Recommended for: those looking to read more fiction by Black authors, fans of short stories and YA steampunk/alternate histories (e.g. Scott Westerfeld’s Leviathan series), and anyone on the hunt for a fast-paced read.


I recently moved houses and “pared down” my book collection. I gave away 8 bags of books, and when the movers came I still had 16 boxes for them to haul… (!!!). Jessi Zabarsky's young adult graphic novel Witchlight moved with me, and I’m glad I finally got around to picking it up. The combination of girls doing things, a Black main character, cooking, sword-fighting, and witchy magic was delightful, escapist, and just the thing to kick off my first summer as a teacher.

witchlight by jessi zabarsky book cover
Love—loss—witches—this YA fantasy graphic novel has it all! This thoughtful, emotional story will entrance you with its moving story and organic artwork. 

Lelek is a witch. That’s all Sanja knows when she meets Lelek in the marketplace. But Lelek is hiding something — and as her life begins to intersect with Sanja’s, all that she’s kept to herself starts to come to light. Secrets, friendship, and magic all come together as Lelek gets closer and closer to uncovering the truth about her past... 

Witchlight is a wonderful adventure filled with friendship, family, falling in love, and dealing with the hardest bits of your past all along the way.

Sanja and Lelek’s world is one of small hamlets, markets, and magic. When Sanja (a good cook and fighter from a family that values boys and violence) and Lelek (a witch! you can tell by the candle over her head!) meet for the first time, assumptions are made, challenged, and eventually the two join forces on an epic quest. Along the way they search for truths and find fragile friendship, interesting people, and eventually love (yes, this is a gentle queer love story!).

Zabarsky’s storytelling heavily centers the two main characters, Sanja and Lelek, with fleshed out secondary characters joining the storyline only rarely. The timeline of their journey is nebulous (over a season or maybe two?), but flashbacks and/or dream sequences referencing both characters’ pasts offer clarity about what shaped them and why they might be willing to join forces. The slow reveal of Lelek’s past trauma especially engages the reader’s interest and information reveals and reactions keep the narrative moving forward.

The heart of Witchlight is its depiction of Sanja and Lelek’s relationship: learning to compromise and learning to trust and making real mistakes – the kind that can break fragile friendships – and figuring out how to move past that. One of the themes that runs through the book is that while there are those who are fearful and make awful choices because of that fear, people are essentially good, or they can learn to be, and that it is human to extend them grace.  Another thread that was present but not fully fleshed out: that it is important to find nonviolent ways of being.

Also of note: Lelek’s witchy creativity and setting healthy boundaries in relationships! This really is a wholesome, lovely sort of book, with character growth and relationship growth and companionship and food. So cozy! I want a series of books about the various side characters that Sanja and Lelek meet on the way!  They don’t get much page time but the art and thought that went into creating each of them shows that there’s backstory there!

Speaking of art, it is very striking, and a definite strength of the graphic novel. Author-illustrator Zabarsky works in ink on paper, then colors digitally. The most impressive bit is the way that Zabarsky plays with lighting, as Lelek has a candle (light source!) atop her head. The color palette shifts throughout the journey, but each combination feels warm, if you know what I mean. Most of the way magic works in this world is shown through artwork, and not included in dialogue – overall the book feels a little light on words. That’s okay, obviously – because the art tells its own story.

In all, Witchlight is an appealing story of friendship, healing, and love, and it’s hygge as all get out. If you want a warm blanket of a book, this is it!

Recommended for: fans of graphic novels, readers who enjoy upper middle grade and young adult books, and anyone who liked Molly Ostertag’s The Witch Boy and/or Suzanne Walker and Wendy Xu’s Mooncakes.

laura dean keeps breaking up with me

I’ve been hearing buzz about Mariko Tamaki and Rosemary Valero-O'Connell's young adult graphic novel Laura Dean Keeps Breaking Up With Me for over a year now, and that gorgeous cover just snags your attention, doesn’t it? I meant to have this review up for Valentine’s Day, because I assumed it was a romance… But I think I’m happier with what it actually is – a beautifully-illustrated story about figuring out when love isn’t right for you, and learning how not to let that consume everything, and to be kind to others and/or love yourself in spite of that knowledge. It was also good for my soul to read a YA book about friends being solid and wonderful – those close-as-family relationships really matter to me (and to a lot of people!).

laura dean keeps breaking up with me by mariko tamaki and rosemary valero-o'connell book cover
Laura Dean, the most popular girl in high school, was Frederica Riley's dream girl: charming, confident, and SO cute. There's just one problem: Laura Dean is maybe not the greatest girlfriend.

Reeling from her latest break up, Freddy's best friend, Doodle, introduces her to the Seek-Her, a mysterious medium, who leaves Freddy some cryptic parting words: break up with her. But Laura Dean keeps coming back, and as their relationship spirals further out of her control, Freddy has to wonder if it's really Laura Dean that's the problem. Maybe it's Freddy, who is rapidly losing her friends, including Doodle, who needs her now more than ever.

Fortunately for Freddy, there are new friends, and the insight of advice columnists like Anna Vice to help her through being a teenager in love.

Frederica Riley is stuck in a cycle of breaking up and making up with her sometimes-girlfriend, the super-cool Laura Dean. Freddy feels like she’s on top of the world when Laura Dean is with her, but Laura doesn’t seem able to stay with one person… and it’s breaking Freddy’s heart. Meanwhile, Freddy’s supportive friends wish she’d open her eyes and grow a spine (ouch!). But some lessons you have to learn yourself, and Freddy will have to find a way to break out of this toxic cycle before she irreparably breaks herself.

The story rings true AND it made me feel those crappy love-isn’t-working-out feelings at the same time. Tamaki’s storytelling is raw and real, and it explores some of those “people can be terrible to each other in relationships” moments with clarity that is sometimes uncomfortable. It’s not all painful moments, and Valero-O’Connell’s art lightens some of the bleak feels, but gosh the angst and indecision and hurt… they’re there, and it takes you right back to the immediacy and impact those emotions have on the teenage brain and psyche. Whew. What a book!

The thing is, Freddy isn’t in denial – she’s self-aware, and she observes the world around her. But as we all know, young love (any time of love, really!) can cloud every moment and influence all our relationships. And while Freddy sees that Laura Dean isn’t good for her, she’s also using all of the brain power she can spare to try to tell herself that it’s okay, that her friends and family are fine, and that the world isn’t going to fall apart any time soon – except none of that is guaranteed, right?! So yeah, I’d say this book captures teen angst and the millions of things that go on in your head at any given moment (we get a bit better at blocking some inputs/compartmentalizing as we age, right?).  I’m repeating myself at this point, but this book is just viscerally real, and it made me feel feels, and I’m a little mad about it but mostly in awe.

Okay, I’ve been going on too long, so here’s a short-ish list of other things I liked about this book! A) The set-up of the storytelling that goes between in-the-moment action and emails to a romance advice columnist. B) Different combinations of family and friends – in their dynamic and imperfect reality (there’s no one way to have a family or to “be”). C) Freddy’s queer friends/coworkers/cultural moments: just there, part of the scenery and the world. I love that kind of representation. There’s so much joy in normalizing Freddy’s kaleidoscopic life – it’s diverse, it’s modern, and there are so many bits I want to call attention to but I’m running out of space ahhhh I said “short-ish!” (also: yes, I am buying a copy of this book for my classroom).

And because it deserves its own goshdarn paragraph, Valero-O’Connell’s art. The art is just… AHHH gorgeous! The patterns, the backgrounds, the movement on each page. The cute three-color (black, white, light pink) palette and how that interplays with the angst and heavy subject matter. The exquisite details like characters’ accessories and school and home environments. Truly lovely.

In all, Laura Dean Keeps Breaking Up With Me is brilliantly told, and the emotional notes are sincere and tough and authentic. And the art slays. You should totally read it.

Recommended for: fans of contemporary young adult literature, anyone who enjoys fantastic storytelling and the graphic novel format, and those looking to update their libraries with quality LGBTQ+ rep.

our dining table

When I’m too busy to think, my optimal reading choices (if I can muster up the energy!) are: graphic novels, novellas, and short stories. My reading in 2020 so far has consisted of: 4 novellas and 2 graphic novels. I think that tells you all you need to know about how the month has gone! The graphic novel I finished this morning, Mita Ori’s Our Dining Table, was a delightful escape from reality. It also made me ravenously hungry for ramen. Luckily, there’s a ramen shop down the street…

our dining table by mita ori book cover
Eating around other people is a struggle for salaryman Yutaka, despite his talent for cooking. All that changes when he meets Minoru and Tane—two brothers, many years apart in age—who ask him to teach them how to make his delicious food! It’s not long before Yutaka finds himself falling hard for the meals they share together—and falling in love!

Our Dining Table follows the solitary Yutaka, a young man who is a talented cook but doesn’t like to eat with others due to past trauma. When he bumps into the adorable Tane and his older brother Minoru at the park during his lunch hour, he is charmed by their relationship. Four-year-old Tane, in turn, is obsessed with Yutaka’s homemade food.  So begins an association, and then a relationship, first based on a shared love of food… that eventually leads to love love.

First of all, I have to give a shout-out to the Cybils, because if I hadn’t been on the graphic novel award committee in 2018, I never would have added myself to the Seven Seas (a manga publisher) email newsletter. And then I never would have heard of Our Dining Table, which is, for the record, ADORABLE. My interest was piqued by this book because: food + graphic novel = instant yes. THEN I saw that it also featured an LGBTQ+ romance, and I was like, yes, okay, let’s GO. One of my favorite books of 2019 (Bloom) was another graphic novel that mixed food and love. It also has the CUTEST cover? So really, I was primed to be enchanted by this book.

And then, it had the gall to be just… super sweet?? With good pacing, great art, and moments of light angst that pulled my heartstrings??? Ugh, yeah, it was wonderful. And satisfying. Even if I am still hungry. Ha!

But yeah, let’s dig in to what I liked so much about it. There was the food, of course – Yutaka ingratiates himself to (and integrates into) the Ueda family recipe by recipe. First he shows them how he makes rice, and then onigiri, and then curry... and in turn they accept him unquestioningly and show him their own recipes. The mentions of food don’t break up the narrative, but they sound (and look!) mouth-wateringly good.

The increasing intimacy between Minoru and Yutaka is also played exactly right. Their relationship is sweet, slow-moving, and comes along with growing trust and interruptions from a certain excitable younger brother. Each of them open up, bit by bit, to the other, and yes it may be idealized but it’s so delightful. This book was a joy to while away an hour with, and I can already tell I’ll want to pick it up again.

Also, the art! I don’t read many manga style graphic novels, but as far as I can tell the black on white line art was fairly standard for the genre. HOWEVER, I feel attacked by how cute Tane was. Like Studio Ghibli cute. Every time he was excited (which was nearly always) his eyes got even more enormous and it was unsustainably adorable! I also thought Mita Ori’s use of texture and patterns was excellent – and of course the panels featuring food were incredible. I remain impressed overall, but the art was really special.

In conclusion: if anything in my review struck a chord, you should read this book, preferably with some snacks nearby. It’s adorable (have I used that word enough?), and it’ll make you hungry and happy all at once.

Recommended for: readers who like gentle, quiet love stories, à la Kevin Panetta and Savanna Ganucheau’s young adult graphic novel Bloom, fans of light manga, and those intrigued by graphic novels about food.

Interested in reading other posts about food? Check out Beth Fish Reads' Weekend Cooking!
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