the night mother, volume one

Middle grade fantasy graphic novel The Night Mother, Volume One by Jeremy Lambert, illustrated by Alexa Sharpe, and with additional design by Becca Carey was one of the titles on my 2024 book gift guide as a great pick for slightly older elementary school kids (ages 8-12), and I’d like to expand on that recommendation a little bit today. As I mentioned in the guide, this slim volume is “a full-color, gorgeously-illustrated series-starter of a graphic novel…that brings together: clocks, a girl who can hear the dead, and a ripping adventure story.”


the night mother vol. 1 by jeremy lambert & alexa sharpe book cover
Endless night befalls a sleepy seaside town, leaving it to young Madeline Tock to save her community from a threat known only as the Night Mother...

The moon is stuck like a broken clock in the midnight sky, the sun a distant memory. No one in this quiet seaside town can remember how long this unnatural darkness has lasted. No one, that is, except for the curious girl who lives in the graveyard, caring for the dead: twelve-year-old Madeline Tock. In gratitude, the departed whisper their worries to her, sounding just like her overprotective but loving father: beware this endless night and she who causes it.

Because there’s someone else who can hear the whispers, too...someone whose gown is a map of the cosmos, hair a tangled constellation, eyes like the lights of faraway stars. The Night Mother. Her elemental duty is to gather the souls of the dead in her lantern, then send them to their eternal rest as beautiful moonlight. But when her hunger for power drives her to take souls from the living, Madeline bravely stands up to defend her town and those she loves. Can Madeline help bring back the sun, or will she be lured by the starry promises of this mysterious woman?

 

Barnabus Tock is an inventor, clock-maker, astronomer, and gravedigger living on the edges of a small seaside town, and his passion (aside from studying the cosmos) is his daughter Madeline (or Maddy) Tock. The moon has stopped moving in the sky, and so it is forever night, and the lack of tides and cold mean that the world is in peril. Amid this upheaval, Maddy’s strange power, an ability to hear the dead, is causing her father extra stress. Is it related in some way to the legend of the mysterious Night Mother and the moon’s stationary position, and if so… is she in danger?

 

As a series starter, the focus of this brief volume (88 pages short!) is introducing the world the Tocks live in, setting up major character conflict, and moving the plot forward just enough to spark interest in the next entry in the series. And it succeeds at all three of these elements. Setting-wise, the Tock family’s abode is a church that has been converted into a scientist’s workshop, but Maddy prefers to roam as far as her overprotective father will let her – and so she hears the voices of the dead as they are floated down the river in coffins, and then helps her father bury them in their (grave)yard. Maddy’s strange upbringing is apparent right from the start of the story in the juxtaposition of vaulted arches, stained glass windows, and spooky voices emanating from closed coffins. From there, the plot develops as a stranger washes up in town during a storm, and Maddy begins to wonder who the Night Mother is, why she has stopped the moon, and what she might be hunting for.

 

As the protagonist, Maddy is the focus of the story, but there is enough time allotted on page to her father, the Night Mother, and the stranger dumped onto the town by a rogue wave (not to mention the voices of the dead!) that several characters feel fairly fleshed out. As a typical pre-teen, Maddy’s concerns are gaining independence, doing the right thing, and protecting her family. When her ideas and beliefs are challenged by the narrative, she is adaptive and brave – two excellent characteristics for a future heroine! There are lots of scene changes while running away, revelations and secrets, and magical powers used (and abused) enough for a whole series of stories. It’s an excellent adventure, and one that is sure to lure many readers in and leave them longing for volume 2.

 

While the story is inventive and engaging, Alexa Sharpe’s art is the absolute star of the show. The spooky graveyard, the vaguely ancient town architecture, the geometry of clocks and astronomical charts, lines of golden light emanating from lanterns… this is the stuff that makes for a rich visual text. There are layers of meaning and detail within the illustrations that will stand up to many rereads, and the movement and expression in the characters’ faces and bodies lends it a cinematic feel as well. Much of the palette is as it appears on the book cover – blues and greens, edging into yellow with splashes of light and violets and indigos in the shadows. The town is an exception, with the local inn’s interior depicted in warm, rusty firelight tones. All of this art is the medium for a story that will engage, entertain, and invite the reader into further escapades with Maddy and crew. 

 

In all, The Night Mother, Vol. 1 is a splendid start to an excellent adventure that spans space. Its spooky notes are balanced with non-stop action, sympathetic characters, and eccentric choices, and make for a delightful (and quick!) read.

 

Recommended for: readers ages 8 and up, and especially any who like Disney classic animated films.

2024 book gift guide


As in past years (2021, 2022), I present to you a book gift guide. This is more a record of the books I’m gifting in the 2024 holiday season than anything else, but if you still need a few presents and have a bookstore nearby, I heartily recommend each and every title herein. Not all books are new this year – I’ve added the year of publication in parentheses if this matters to you. And if you (or your child) are someone I give to… look away, lest you be spoiled!


Board books for babies (ages 0-2):


Look Twice by Giuliano Ferri (2022) – A tried-and-proven board book. This one has minimal text, baby-friendly page cut-outs, and art with a bit of a spray-painted look.

Picture books for littles (ages 3-5):


Cat Family Christmas: A Lift-the-Flap Advent Book by Lucy Brownridge, illustrated by Eunyoung Soo (2022) – I love an advent calendar, and lift-the-flap books are reliably popular with little ones. Also, a cat family at Christmas?! Automatic win.

Tis the Season: A Lift-the-Flap Advent Calendar Full of Christmas Poems illustrated by Richard Jones (2024) – I already had my eye on advent books, so when this one came across my feed this year I put it on my shopping list. Love the art style, and with festive poems, it’s bound to be a perennial favorite!

A Flash of Color and Light: A Biography of Dave Chihuly by Sharon Mentyka, illustrated by Shelley Couvillion (2024) – This title “is a celebration of color, light, glass, and Dale Chihuly’s enormous contribution to the field of glassmaking and art.”

We Are Definitely Human by X. Fang (2024) – This funny, clever, and gorgeously-illustrated picture book is one of my favorites this year. It celebrates the kindness of humans, too, which is a great message for any season.

Books for early readers (ages 6-7):


Little Shrew by Akiko Miyakoshi, translated by Kids Can Press (2024) – This “slice of life story is understated, beautiful, and delightfully charming. It’s going in every holiday stocking this winter!” DELIGHTFUL.

Mayor Good Boy by Dave Scheidt and Miranda Harmon (2021) – I haven’t read this one myself, but this first in a graphic novel series comes HIGHLY recommended by one of my niblings (yes, I have gifted this one before!!). 

Science Comics: Crows by Kyla Vanderklugt (2020) – A good choice for the reader who likes nonfiction, this title is a highly-rated entry in the Science Comics series. Can’t wait to be bombarded with crow facts. :)

Slightly older elementary school kids (ages 8-12):

Forces of Destiny by Elsa Charretier, Jody Houser, Delilah S. Dawson, Beth Revis, Devin Grayson, and Pierrick Colin, illustrated by Arianna Florean, Eva Widermann, Valentina Pinto, and Nicoletta Baldari (2018) – I’ve been hanging onto this book until the recipient was the right age! It’s a slim graphic novel volume on Star Wars’ heroines, and I’m sure it’ll thrill this kiddo.

Squire & Knight by Scott Chantler (2023) – For a young reader who appreciates a strong dose of humor and chivalry in their reading.

The Night Mother Vol. 1 by Jeremy Lambert, illustrated by Alexa Sharpe (2024) – A full-color, gorgeously-illustrated series-starter of a graphic novel volume that brings together: clocks, a girl who can hear the dead, and a ripping adventure story.

Grace Needs Space! by Benjamin A. Wilgus, illustrated by Rii Abrego (2023) – I read this graphic novel right before wrapping it up, and it’s so adorable I could just squish it. Abrego’s (of The Sprite and the Gardener fame) illustrations are incredible – Grace’s eyes especially are something special, and evoke lots of authentic pre-teen emotion.

Tiffany’s Griffon by Magnolia Porter Siddell, illustrated by Maddi Gonzalez (2024) – A fantastical middle grade graphic novel about a girl who desperately wants to be the star of a story, but ends up as the sidekick. 

A Place to Hang the Moon by Kate Albus (2021) – The only non-graphic novel for this category, this middle grade historical fiction set in Britain during WWII has Narnia and found-family vibes.

Graphic novels for the teen crowd (ages 13-18):

Mythmakers: The Remarkable Fellowship of C.S. Lewis & J.R.R. Tolkien by John Hendrix (2024) – Speaking of Narnia, are you curious about author C.S. Lewis and his famous fantasy author friend Tolkien? If so, this book is perfect for you. Great for ages 13+ – it also has strong adult crossover appeal.

Young Hag and the Witches’ Quest by Isabel Greenberg (2024) – Know any teens into witchy tales, folklore, and/or Arthurian myths? This retelling is appropriately gruesome, and has the potential to engage both reluctant and enthusiastic readers alike. 

For adults:

The Jinn-Bot of Shanti-Port by Samit Basu (2023) – I saw this one pitched as having Murderbot and mystery vibes. I need to get a copy for myself, too!

Toward Eternity by Anton Hur (2024) – Hur is the translator of several well-regarded books, and this is their sci-fi debut with notes on AI and climate. 

The Serviceberry: Abundance and Reciprocity in the Natural World by Robin Wall Kimmerer, illustrations by John Burgoyne (2024) – The author of Braiding Sweetgrass is back with a short book on natural reciprocity. 

The Ministry of Time by Kaliane Bradley (2024) – From my review at Orange Blossom Ordinary, this story about a time-traveling, doomed Arctic explorer “is hugely entertaining and thoughtful, then casually devastating, and ends on a note of hopeful ambiguity – a most enjoyable science fiction reading experience.”

The Full Moon Coffee Shop by Mai Mochizuki, translated by Jesse Kirkwood (2024) – On the full moon, a mysterious coffee shop appears, staffed by cats who solve problems by serving patrons delicious food! What’s not to love?

Butter by Asako Yuzuki, translated by Polly Barton (2024) – Billed as a killer mystery for foodies, and an international bestseller at that!

Not books, but gifts you can find in a bookstore (links to Barnes & Noble):

Elephant & Piggie socks – For your friend who wants cozy feet with bookish style.

2025 Art Page-A-Day Gallery Calendar – Art, every day of the year!

What books are you gifting this year?

sunhead

Wednesday, December 4, 2024 | | 0 comments

I went to the bookstore over the summer to pick up a newly-released graphic novel that the internet promised they had in stock. Unfortunately they couldn’t find it once I got there. While the unfruitful search was taking place, I picked Alex Assan's young adult graphic novel Sunhead off the shelves and decided to give it a try. This volume is a quick read at 250 pages and its story will resonate with the younger end of the young adult demographic (13-to-15-year-olds). With a focus on visual storytelling over dialogue, it will appeal even to those who are not confident in their reading abilities.


sunhead by alex assan book cover
Rotem is a Sunhead, a fan of the international smash hit Sunrise series of books and films. She’s obsessed with the story’s love interest, Edmund, and no one else gets it. But all that changes when she befriends Ayala, a shy classmate and avid book lover who’s as swept away by the romance as she is. The two become fast friends, but as their deep connection grows stronger, Rotem starts to wonder: What exactly draws her to this story?

Alex Assan’s debut, Sunhead, is an earnest coming-of-age graphic novel that explores how the stories we love help us understand our friendships, our relationships, and ourselves.

 

Rotem is a Sunhead, a rabid fan of the fictional Sunrise series of books, about a vampire named Edmund who goes to high school and falls in love with a human girl named Zoe. If you are thinking to yourself… that sounds familiar… You are right. Sunhead in this instance = Twihard (fan of the Twilight books). The parallels are there in the imagery, storylines, etc. In any case, Rotem is obsessed, and no one else around her understands. When she convinces schoolmate Ayala to read the book, Rotem suddenly has a partner in obsession. Sunhead is a slice-of-life comic where a book and its main character act as catalysts for Rotem’s changing sense of self.


In Sunhead, author-illustrator Assan beautifully captures the awkwardness of hormones, the relief and joy of escapism in imagining that you are somewhere else or someone else, and the agony of having romantic feelings for someone for the first time. The story is told from Rotem’s perspective, and she is the only fully realized character in the book. Much of the story is taken up with her reactions to conflict, musings on Sunrise, and self-isolation. Rotem doesn’t have a clear idea of who she is yet, but her first experience with making a friend (Ayala) based on her niche interests leads to intense conversations, longing glances, and acting impulsively on new feelings and then running away. In other words, it is awkward and an accurate encapsulation of the teenage experience.

 

A note on the setting: I did not realize before diving into the book that Rotem was an Israeli teenager, nor that the book was set in Tel Aviv – this information is not included anywhere in the book blurb. After reading Sunhead, I can see why: the setting plays such a minor part that it could really be set almost anywhere. The only clues seemed to be comments that Rotem made about waiting for Hebrew translations of the Sunrise books and subtitles for the Sunrise film. The time period also seems to be the early 2000s – with computers but without ubiquitous cell phones. The Tel-Aviv depicted in Sunhead is bloodless and featureless, and that feels problematic in our current timeline. Author Assan is visibly pro-Palestine on social media, and talks openly about gay Israeli community, but these do not come through in the book. I can understand why, because Sunhead is all about Rotem’s coming of age and internality, and her perspective is limited and immature, but it does feel like a disservice to the place, its people, and its history.

 

Let’s talk art! Assan used digital tools to create Sunhead, but the soft lines are reminiscent of either charcoal or brushwork, and the subtlety in shading and coloring of watercolor. Assan uses traditional rectangular panels throughout except for the daydream Sunrise sequences, which are more freeform and loose, and set apart from the rest of the text in tones of pink and red. The art overall is colored in a visually appealing and warm palette of yellows, reds and browns. Assan’s storytelling relies heavily on facial expressions and closeups of body language. So much so that there is a 45-page-long section of wordless text towards the end of the book. I understand the effect the artist was hoping to achieve, but so many pages without text make it easy to flip through quickly, without paying attention to details, and as such may lose the poignancy the author is trying to convey.


In all, Sunhead is a quick read with a slightly unfinished feel. It focuses on Rotem’s joy and angst in falling deeply in love with a book, and how the important stories from our teen years can change us forever.


Recommended for: young teens (think ages 13+) of all reading levels, anyone who has ever fallen deeply into obsession with a book, and fans of queer coming-of-age and slice-of-life stories.

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