Showing posts with label duncan tonatiuh. Show all posts
Showing posts with label duncan tonatiuh. Show all posts

a land of books

I didn’t need to read further than the title to know that A Land of Books: Dreams of Young Mexicuh Word Painters was for me! But then of course there was also author-illustrator Duncan Tonatiuh’s art style (distinctive and an homage to his homeland’s cultural history) to add to the allure as well. I loved Tonatiuh’s picture book The Princess and the Warrior, and I keep his graphic novel Undocumented, on undocumented immigrants and labor organizing, in my classroom library. What more perfect title to feature on Indigenous Peoples’ Day than one that celebrates their contributions to culture, bookmaking, and storytelling!


a land of books by duncan tonatiuh book cover
Our world, little brother, is an amoxtlalpan, a land of books.
In the jungles where the jaguar dwells, the Mayas make books.
In the mountains the cloud people, the Mixtecs, make them as well. So do others in the coast and in the forests.
And we the Mexica of the mighty Aztec empire, who dwell in the valley of the volcanoes, make them too.

A young Aztec girl tells her little brother how their parents create beautiful painted manuscripts, or codices. She explains to him how paper is made from local plants and how the long paper is folded into a book. Her parents and others paint the codices to tell the story of their people’s way of life, documenting their history, science, tributes, and sacred rituals.

Duncan Tonatiuh’s lyrical prose and beloved illustration style, inspired by the pre-Columbian codices, tell the story of how—contrary to the historical narrative that European colonizers bestowed “civilization” and knowledge to the Americas—the Aztec and their neighbors in the Valley of Mexico painted books and records long before Columbus arrived, and continued doing so among their Nahua-speaking descendants for generations after the Spanish Conquest. From an award-winning author-illustrator, A Land of Books pays tribute to Mesoamerican ingenuity and celebrates the universal power of books.

 

A Land of Books begins with an unnamed storyteller sharing who makes amoxtin (books), how they are made, how tlahcuilohqueh (bookmakers) are trained, the types of materials and dyes they use, and who has access to and can read books. Then the book transitions into a dream sequence, telling a creation/origin story, and ends with an example of the type of celebration where books and bookmaking were featured in pre-Spanish Conquest Mesoamerican cultures.

 

The pictographs used in amoxtin (or codices, as they are referred to today) are a major focus of the story, and the illustrations throughout mimic them or use them directly. Small children familiar with the rhythm and ritual of reading aloud will likely find the circumstances of when and where certain books were read (or sung!) draw their attention, along with the 2D art. Readers of all ages will likely start trying to decode the pictographs!

 

As you can likely tell from the language in this review, Nahuatl (a living language today!) is included within the book, and most of it can be decoded while reading from context clues and the illustrations. Tonatiuh has included a glossary at the back with a pronunciation guide and definitions if you want to brush up before reading aloud. There’s also an excellent, extensive author’s note, bibliography, and website where you can view the few historical codices that survived Spanish colonization.

                                                                                                                    

In a picture book about making books, the illustrations are of particular interest. Tonatiuh’s images are hand-drawn, and then collaged digitally. He specializes in flat, two-dimensional illustrations, with figures who are always in profile, and not always in proportion. Color also holds specific meaning. All of these elements are based on the artwork of the amoxtin/codices, which Tonatiuh touches on in the story as well.

 

In all, A Land of Books is a book to be treasured – it not only tells the story of how books were made in pre-conquest Central America, but it will also likely inspire a new generation of bookmakers, researchers, and questioners.

 

Recommended for: anyone interested in bookmaking, indigenous histories and culture, book lovers young and old, and storytimes with curious young ones.


A Land of Books: Dreams of Young Mexicuh Word Painters will be available from Abrams Books for Young Readers on November 15, 2022.


Fine print: I received a digital review copy from the publisher via Edelweiss for review consideration. I did not receive any compensation for this post.

the princess and the warrior

I go through cycles with book discovery. Sometimes I rely on recommendations from my book club, other times I pay attention to what the book blogging community seems to like, and occasionally I’ll go on a “throwback” kick and look up the backlist titles of favorite or new favorite authors. With Duncan Tonatiuh’s picture book The Princess and the Warrior, it was pure serendipity. I had planned to visit the Abrams booth at Book Expo America (an enormous annual book fair)(in other words, heaven!) to look for another title, and saw an image of the cover and note that Tonatiuh would be signing copies later. I quickly identified the story as fairy tale/myth, the art as traditional Central American, and was instantly sold.

the princess and the warrior by duncan tonatiuh book cover
Award-winning author Duncan Tonatiuh reimagines one of Mexico’s cherished legends. Princess Izta had many wealthy suitors but dismissed them all. When a mere warrior, Popoca, promised to be true to her and stay always by her side, Izta fell in love. The emperor promised Popoca if he could defeat their enemy Jaguar Claw, then Popoca and Izta could wed. When Popoca was near to defeating Jaguar Claw, his opponent sent a messenger to Izta saying Popoca was dead. Izta fell into a deep sleep and, upon his return, even Popoca could not wake her. As promised Popoca stayed by her side. So two volcanoes were formed: Iztaccíhuatl, who continues to sleep, and Popocatépetl, who spews ash and smoke, trying to wake his love.

The Princess and the Warrior is the story of Itza and Popoca, who according to legend lived long ago in the area near modern-day Mexico City. Princess Itza spent her days in the fields, teaching poetry to the workers. She had no interest in leaving her life to live in a palace, and so she was not swayed by the rich men who wanted to marry her for her beauty. Popoca, a simple warrior, won her heart with honesty and a promise of loyalty. In order to gain her father’s blessing, Popoca went out to fight a fierce enemy clan. When he was close to defeating them, Itza was tricked by the enemy’s messenger and fell into a sleep from which she never awakened. Popoca kept his promise to stay by Itza, and in time they turned into two volcanoes which look over Mexico City today.

I am HERE for fairy tale retellings and myths and legends, and this one is a great one, wrapped up in a beautiful package. Tonatiuh’s retelling includes not only a bittersweet story (ugh, the angst of lovers divided by deception!), but he also highlights the use of poetry, sprinkles Nahuatl and Spanish words throughout, and focuses on characters who defy gender stereotypes (Itza by valuing honesty and loyalty above riches and compliments, Popoca by accepting Itza as she is and promising to stay by her forever and then following through). Love story based on honesty, loyalty, and intelligence, featuring Native American characters, with a mythic background? It just hits on so many of my favorite things, and we’re not even counting the fact that I spent three years in grad school focused on Latin American history. I really like this book, friends.

On to the art! Which is basically a bonus for me at this point but for most people it can make/break a picture book. As you may be able to tell from the cover, the style pays homage to traditional pre-Columbian art, where people and animals are always depicted in profile. The digital collage method that Tonatiuh used highlights the texture of the textiles of the characters' dress (linen and other woven materials are distinguishable), and the colors and backdrops are bright and active. The style might take a minute to adjust to, but it enhances the story and adds another layer of context to the legend. There's plenty for little eyes to look at, and the Jaguar Claw warrior panels are particularly engaging.

In all, The Princess and the Warrior is a lovely picture book suitable for all ages. I plan to gift it to my young cousin who is obsessed with princesses, and I'll also strongly encourage my elementary school teacher friends to stock it in their classroom libraries. Diverse kidlit FTW!

Recommended for: fans of myth, legend, and pre-Columbian history, and anyone with a stake in supporting diverse children's literature and #ownvoices.

Fine print: I picked up a copy of this title for review consideration at BEA. I did not receive any compensation for this post.
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