goat magic

Kate Wheeler is a familiar artist – I’ve been following her adventures on Instagram for years. So I was very excited to see her publicize her debut middle grade fantasy graphic novel. One of my favorite genres, from an author I know I like? Bless. I read it right away and loved it. Goat Magic is out today from Oni Press!

Trill, a spirited goat herder with a unique ability to communicate with her flock, yearns for a life beyond mountain pastures. Her “goat magic” feels common compared to the sorcery taught in the city’s prestigious magic schools, which are off-limits to her. Meanwhile, Princess Alya, known as the “Ordinary Princess” and heir to the kingdom of Capeya, doubts her own royal potential.

Their worlds collide when an assassination attempt on the queen leaves Alya cursed to transform into a black goat each sunrise. Seeking refuge in Trill's goat herd, Alya discovers her new friend's hidden talent is her only hope to break the spell. Together, they embark on a perilous journey back to the castle, facing treacherous foes and uncovering a web of betrayal and rebellion.

As Alya battles to reclaim her throne and restore order to Capeya, the girls discover a deep connection, their shared experiences forging an unbreakable bond. When Alya comes face to face with the ones who betrayed her, will she have what it takes to take back the crown and rule an unstable kingdom? Will Trill find confidence in her magic and the growing affection she has for her friend?

With fast-paced action, enchanting magic, and a budding romance, Goat Magic is a captivating graphic novel perfect for fans of fantasy adventure.

 

Goat Magic opens on the humble farm where Trill and her mother keep a herd of goats. They live out in the Faces, a remote, magical part of the country where the rock formations look like ancient gods have been frozen in rest. Trill is off to the market by herself for the first time – a bit (adult!) step. At the same time, there is unrest within the royal family, as the heir to the throne, Alya, doesn’t have any magical abilities, and hence has been dubbed “The Ordinary Princess.” On a diplomatic trip, Alya’s mother, the Queen of Capeya, is attacked, and Alya herself is cursed – she becomes a goat during daylight hours and reverts to human form by the light of the moon. You can probably imagine what happens next: Alya meets Trill, observes her unique goat-herding magic firsthand, and has lots of her beliefs challenged by the experience. In addition, first love is in the air…

Wheeler says in the afterward and on social media that she was inspired by classic fantasy adventures from her childhood reading. It shows – mostly in good ways. The plot is a bit formulaic (think the hero’s journey), but the magic and world building feel refreshingly unique. Wheeler also includes very satisfying details about food, myths, and familial relationships – the things that round out and flesh out any culture or story and make them more believable. And lest I forget to mention them, the adorable goat characters also each have their own personalities and foibles.

The vibe of the book overall is The Witcher-meets-Studio Ghibli, and I know it will be a huge hit with the 9-12-year-old set as well as an older crowd. Wheeler’s art and “style” remind me quite a bit of the excellent Kay O’Neill (The Tea Dragon Society and The Moth Keeper) and Wendy Xu (Tidesong) – with good use of color, lovely landscapes, and expressive character faces.

In all, Goat Magic is a fantasy mystery wrapped in an adventure. It has notes of The Well (journey to remove a mysterious curse, budding sapphic romance) and classic fairy tale The Goose Girl (transformation tale). It's a quick, satisfying adventure into a novel world. I would love to read more adventures set in Capeya, or whatever Wheeler has up next!

Recommended for: fantasy readers ages 9 and up, and anyone interested in fantastic worldbuilding and fun and energetic graphic novel art!

 

Fine print: I received an advanced digital copy of the text from the publisher for review consideration. I did not receive any compensation for this post.

poetry comics

It is often surprising to me what is popular in my classroom library. I have some idea of what might be of interest to my high school students (of course!) and I supply those books whenever my budget allows. I picked up Grant Snider's graphic novel Poetry Comics on a whim at an ALA convention, and given its intended audience–much younger readers–I didn’t think it would resonate, but I put it on the shelf anyway. Imagine my shock when it turned out to be a choice reading time sleeper hit! After seeing several students pick it up, I decided to take a closer look myself, and I can see why it was (is!) in demand.

 

Combining poetry and comics in a whole new way, this fun and imaginative book is perfect for poetry lovers and reluctant readers alike.

From the cloud-gazing hours of early spring to the lost bicycles of late autumn, Grant Snider’s brilliantly illustrated Poetry Comics will take you climbing, floating, swimming, and tumbling through all the year’s ups, downs, and in-betweens. He proves that absolutely everything, momentous or minuscule, is worthy of attention, whether snail shells, building blocks, the lamented late bus, or the rare joy of unscuffed shoes. These poems explore everything you never thought to write a poem about, and they’re so fun to read you’ll want to write one yourself. Not to worry, there’s a poem for that, too!

Poetry Comics is just what it sounds like: a book of comics but also a poetry anthology. Each page, or each couple of pages, consist of poem(s) told panel by panel, in integrated, illustrated format. As one might guess from the cover illustration, the poems focus on nature, following the structure of the seasons, with some variation and tangents to take on the art of poem-writing itself, identity, and even things like waiting for a late bus. The compilation, while meant for young readers in the 7-12 age range, will also be of interest to aspiring comics artists and writers of all ages.

Snider’s art is simplistic, with basic 2D figures and landscapes, and a focus on the sky and horizon. Primary colors, fairly literal interpretations of each poem, and two “characters” (a boy and a girl) dominate the panels when nature and the natural world does not take center stage. Snider also makes interesting use of panels and the gutter–the white space around panels–on each page.

As far as the poems themselves, Snider’s key features are alliteration, repetition, lists (catalog), and of course the aforementioned organization around seasons and seasonal changes. My favorite poems in the book are “How to Write a Poem” numbers 1, 2, 3, and 4. Ah! Can’t forget to mention the structure of Snider’s poems too: a lack of commas, sparse periods and end stops, and very short poems overall. Each poem stands alone: some merely a single line, others still short but spreading over two pages. They don’t have to be read in any particular order either. Beyond that, the most stand-out thing about them is their clever titling, which amused me most.

According to the notes in the book, Snider’s illustrations are done in pen and marker, and reedited in Photoshop. The balance in the book definitely leans to image over text, which, while pleasing to the eye, does not grant a huge amount of depth, since those images themselves are also fairly simplistic. A note: they contain no evidence of phones or digital life, and in that way feel timeless.

Overall, Poetry Comics is a decent collection of poems and art for young people that may inspire adventures and a couple of reflective, poignant moments.

Recommended for: readers ages 7+, and read alouds with younger children to foster reflection and contemplation.

 

Fine print: I picked up an advanced copy of this title for review consideration at an ALA conference. I did not receive any compensation for this post.

grace needs space!

Art is so powerful – in the present, in memory, and as a part of literature. While I had seen Rii Abrego’s work before (I reviewed Abrego and Joe Whitt’s The Sprite and the Gardener here on the blog!), I wasn’t following her other projects. However, I knew I recognized her art style from somewhere when I found it at SPX (Small Press Expo, an indie comics conference held each fall in Bethesda, Maryland), where author Benjamin A. Wilgus was tabling. I asked a question or two, and was sold immediately on their collaboration: middle grade science fiction graphic novel Grace Needs Space!

 

Grace is SO EXCITED to fly a freighter from her home space station (and away from her BORING mother Evelyn) to a faraway moon! Plus, she'll get some quality time with her FUN mom Kendra--something Grace definitely needs. Finally, a real adventure that Grace can get excited about while the rest of her space station friends go away for their summer vacations.

But when Kendra is too focused on work, Grace's first big trip suddenly becomes kind of lonely. Grace had so many plans for fun. But all it takes is one quick decision to explore the moon by herself before Grace's adventure suddenly becomes not so out of this world at all. With her mom mad at her, Grace wants nothing more than to return home. Then their ship breaks down. Will Grace be able to get through to her mom and save their trip in the end?

Grace is a space-obsessed tween who has been begging to go on a trip with her Ba, a traveller between space stations. To Grace, her Ba lives a life full of mysterious glamour. She, on the other hand, lives a “boring,” stationary life with her other mother, the chief engineer on a space station, and is super excited for a taste of travel and planetary adventure. She’s been anticipating their trip to Titan for so long and built it up in her head… (you can see where this is going). The reality ends up being both more and less exciting than her expectations, in unanticipated ways.

Grace Needs Space! speaks to a lot of universal ideas and themes: growing independence and developing identity, the juxtaposition of curiosity with physical limits, and parents (and adults in general) letting kids down. Wilgus’ story includes one of the most nuanced portrayals of divorced parents that I’ve ever seen in a middle grade book, with believable tension, interactions, and an open-ended conclusion.

Grace is beyond excited for a fun trip with her Ba, Kendra, and instead learns quickly that it is a no-nonsense work trip for her parent. This letdown is the first of several, and while her messages back home to her mother are cheery, the experience isn’t living up to ideas and ideals. While at age 12 she feels grown up, she’s not treated like an adult. Throughout the trip and on Titan, she has lots of free time and freedom, but not in a kid-friendly way. Realizing and reacting to her parents’ differing parenting styles, and being hungry for information and life experience, will resonate with most readers.

Abrego’s art is gorgeous. Her figures cute and stylized, with lots of color, rounded faces, big eyes, and diverse body types, skin colors, and clothing styles. Some of the most impactful panels include Grace’s looks of wonder upon experiencing new things, the gorgeous (and alien!) planetary landscapes, and details of space travel and extra-planetary life. Abrego’s illustrations definitely add depth to the story and complement it perfectly.

In all, Grace Needs Space! is an insightful, beautiful story about the growing pains of coming of age, and the ways in which people and expectations can let us down, or lift us up. It’s also absolute fun and a visual marvel: it contains multitudes!

Recommended for: readers ages 8 and up (though would be perfectly acceptable for younger readers who are reading up), fans of science fiction, and anyone looking for beautifully-illustrated graphic novels.

hockey girl loves drama boy

In a moment of reading serendipity, a friend recently recommended to me a book that I already had on my to-read list (and better yet, had already bought!). That book was Faith Erin Hicks’ 2023 young adult graphic novel Hockey Girl Loves Drama Boy. I was sold at hockey + rom-com, but with a friend’s genuine excitement in play, it moved up to the top of the pile, and I finished it – and loved it – earlier this month, just in time for Valentine’s Day.

It should have been a night of triumph for Alix’s hockey team. But her mean teammate Lindsay decided to start up with her usual rude comments and today Alix, who usually tries to control her anger, let it finally run free. Alix lashes out and before she knows it, her coach is dragging her off Lindsay, and the invitation to the Canada National Women’s U18 Team’s summer camp is on the line.

She needs to learn how to control this anger, and she is sure Ezra, the popular and poised theater kid from her grade is the answer. So she asks for his help. But as they hang out and start get closer, Alix learns that there is more to Ezra than the cool front he puts on. And that maybe this friendship could become something more...

Alix loves hockey and hockey loves her back. However, her team captain Lindsey has been slowly breaking down that passion with bullying, and one day Alix snaps and responds with physical aggression. In an effort to learn how to control and move past her anger, Alix reaches out to well-liked, poised drama geek Ezra. With Ezra’s help, Alix hopes to prove to her coach that she deserves a spot at a prestigious hockey camp. Somewhere in the midst of hanging out at his family’s second hand store, going to a public ice skate (peak Canadian!), and helping to put together the school’s production of Little Shop of Horrors, Alix and Ezra start to crush on each other. However, Ezra’s best friend is upset that he's hanging out with Alix, and Alix’s mom (a Canadian-famous artist) isn’t a fan of hockey for her own reasons… among other impediments. Will it all turn out in the end? Spoiler alert: there’s a rom-com worthy happy ending!

Author-illustrator Hicks’ characters are the highlight of this story. Quiet, stoic-seeming Aliz is learning to deal with an excess of emotion all of a sudden, and navigating complex and fraught family relationships as well as a romantic relationship for the first time. It’s enough to stress anyone out, but Alix’s drive to improve in hockey fuels changes in other areas of her life as well. Alix is open to new experiences, and so she grows! Other main character Ezra seems like he has his life together, but he too is struggling – with trust, and to be a good person – to not take advantage of those who love him. Together, they’re a delightful bundle of hormones, issues, and identity crises. How does Hicks turn this into a viable rom-com after all??! 

First, with character revelations, like the fact that Ezra is still figuring out his sexual identity, but he can fight homophobic bullies in the meantime! And then a road trip complete with pancakes and a car breakdown, and finally, with a hockey game and boba tea. Throw it all together, and you get a graphic novel that is, at times, too cute for words!

Hicks’ illustrations feature black ink linework on a white background, with some spots of sky blue as highlights, and really focus on details that move the plot along. There’s a lot of movement and emotion in Hicks’ drawings, which for this book were drawn first digitally, and then inked on paper with a watercolor brush. Some of my favorite scenes were ones that included hockey play, but my absolute favorite panels were two where Alix is thinking about Ezra and has a bunch of little hearts floating around her head, and then they “pop!” like bubbles as she convinces herself that there’s no way that Ezra could return her feelings. All that to say, the story would be great regardless, but the illustrations add wonderful layers of enjoyment and meaning. 

In all, Hockey Girl Loves Drama Boy is a satisfying young adult romance with LGBTQ+ representation, excellent swoon factor, and art that will knock your socks off. 

Recommended for: fans of young adult romances and hockey, and anyone looking for an authentic and heartwarming story!

a place to hang the moon

There are lots of excellent books for children out in the world. I would define "excellent" in a couple of different ways, but to really earn the title, a book should be interesting, funny, heartwarming (or in general make you feel some true emotion deeply). And a book needn't have all of the above, but it should have SOME of these elements. Kate Albus' middle grade novel A Place to Hang the Moon got just about the highest recommendation I could think of a few years ago from a trusted source (a fellow Cybils judge) online, so I immediately bought it. It then sat unread on my shelf for three years. *crying emoji* Luckily, a young person I know and love just turned ten and is a voracious reader, just like the characters in this book, so I picked up off the shelf and finally read it... so that we could have a wonderful chat about it when she does. And now that I know personally how lovely it is, I can't wait to see what she thinks.

 

It is 1940 and William, 12, Edmund, 11, and Anna, 9, aren’t terribly upset by the death of the not-so-grandmotherly grandmother who has taken care of them since their parents died.

But the children do need a guardian, and in the dark days of World War II London, those are in short supply, especially if they hope to stay together. Could the mass wartime evacuation of children from London to the countryside be the answer?

It’s a preposterous plan, but off they go– keeping their predicament a secret, and hoping to be placed in a temporary home that ends up lasting forever. Moving from one billet to another, the children suffer the cruel trickery of foster brothers, the cold realities of outdoor toilets and the hollowness of empty stomachs.

But at least they find comfort in the village lending library– a cozy shelter from the harshness of everyday life, filled with favorite stories and the quiet company of Nora Müller, the kind librarian.  The children wonder if Nora could be the family they’ve been searching for... But the shadow of the war, and the unknown whereabouts of Nora’s German husband complicate matters. 

A Place to Hang the Moon is a story about the importance of family: the one you’re given, and the one you choose.

Anna, Edmund, and William (listed in order from youngest to oldest, and William at a lofty 12-years-old!) are siblings growing up in the midst of London during World War II. They've been sheltered while living at their grandmother's house (because they are orphans), but now she's dead as well and they don't have a guardian. Never mind the bombs being dropped by German planes! So, they join a troop of kids from a nearby school and are evacuated to the countryside. An unlikely goal also resides in their hearts – to find a forever home in their billet, with a family who thinks "hang the moon," as their dead parents used to say. Of course, wanting something and making it happen are two different things.

Although Albus doesn't describe the countryside sparsely, per se, she saves her description mostly for interior scenes (with a few notable exceptions – rat-catching, for one!), and so most of the book indoor activities and interpersonal interactions. It is through these interactions that the reader really takes the measure of the siblings. William, responsible, solid, and a little bit anxious – made into a parent for his younger siblings and feeling the strain. Edmund, irrepressible and without filter, and with a strong sense of justice (and injustice). Anna still with some little girl softness and optimism that William especially doesn't want to crush. These children are thrust into life as evacuees, with no backup plan, and so they make the best of it – experiencing sometimes wonderful and at times awful things in search of a forever home.

 

One thing the author does particularly well is to incorporate books and a love of reading (and there are different flavors of this in each of the children) into the book in general. Allusions to the books that would have been popular in the 1940s are woven throughout the story and suffuse the book with a warmth and sense of time that makes it feel, as much as a modern book can, of that era. I told a friend of mine that it has Narnia vibes. There isn't a magic wardrobe, but the sibling adventures (and squabbles, of course) as well as the countryside away from the bombing and without parents – these things align. The mentions of A Little Princess throughout mirrored the wish-fulfillment that the children experienced, and heightened the emotional weight of the story. Albus knows how to turn on the waterworks. Also, I want to assure you, dear reader, that yes, there is a happy ending!

Something I am always thinking of, as an IB teacher, is who the intended audience of a text is, and how that may change its meaning. As an adult, I am not the intended audience for this story, but I found it extremely charming, cozy, and heartwarming. I believe its intended audience will find it an adventure and a half – American youngsters typically won't have experience (or even generational knowledge of) with gas masks, evacuations, rat-catching, victory gardens, and more. But with such a lovely story attached, they may become curious about these foreign objects and activities and end up enamored with the time period and/or historical fiction in general. 

In all, A Place to Hang the Moon is a cozy, heart-wrenching gem of a story that calls back to the classics of the middle grade genre. 

Recommended for: young people ages 8 and up who like sibling stories, adventures, and who understand the joy of reading a good book. Would be an excellent bedtime read aloud as well, for children ages 7 and up.

like so

How do you discover new picture books? I used to go into libraries and physical bookstores, but these days teaching takes up much more of my free time, and browsing in person feels increasingly indulgent and rare. School Library Journal’s free summertime digital event, Picture Book Palooza, has been a great resource for me these past few years – publishers highlight their latest releases all in one place, and I’m able to spend as much or as little time as I have on discovery. All of that to say, Picture Book Palooza introduced me to poet Ruth Forman and illustrator Raissa Figueroa's Like So, a beautiful picture book I am sure I wouldn’t have encountered otherwise.

From bestselling author Ruth Forman and Coretta Scott King Illustrator Award Honoree Raissa Figueroa comes a lyrical and vibrant picture book honoring the love and bond that exists between family and child even in complicated times.

Told from Nana’s point of view, this simple, affirming, and comforting read-aloud shows how every family’s love is natural and connected to the world around us. Just as the sun loves the day, the moon loves the waves, and the night sky loves the star glow…so is our love for each other: innate, wondrous, and infinite.

Ruth Forman’s narrative in Like So is about the love between a grandmother (or perhaps even a great-grandmother!) and granddaughter. That love spans time and place, and illustrates how love is felt in different contexts. Forman’s story begins with kisses and hugs exchanged in a domestic environment and then moves out into nature. Nature is used to compare how big their love is – with the titular repeated “like so.” Their love for each other is as big as butterflies on a sunny day, the moon and waves at night, days, trees, chickadees, and more. No matter where or when, the love between them is as big as the universe.

 

Neither grandmother nor grandchild are named or given those specific titles or relationship within the story, so it is possible that it could be about elders and children in general, or a great aunt and a great-niece, for instance. Through extended similes the text assures younger readers (or listeners!) that they are safe, loved, and secure. Overall, the word choices throughout are spare, simple, and poetic – with just a few words or a sentence at most on each page, and full phrases sometimes set over several page spreads, such as this excerpt:

 

“I got love like you

you got love like me

we got love

like so.”

 

Raissa Figueroa’s expressive and expansive art combines with the brief text for a picture book experience that seems at first almost entirely visual. The sky is a huge focus in the outdoor illustrations – appearing in ombre pinks, purples, and blues of daylight, sunset, and deep night, depending on the page. The paired figures of granddaughter and grandmother appear together both throughout the seasons and on every page until the last few, when they appear together only in the stars – indicating perhaps that the grandmother figure has passed away, but her love is still present. Little smears of white, which at first seems to be flour from working on a project together in the kitchen, and then maybe the glittering of butterfly wings, and then perhaps snow – connect each of the different scenes together, until it becomes the starlit love up in the sky.

 

In all, Like So is a beautiful marriage of both text and images that celebrates intergenerational relationships and love. It’s brief enough read to appeal to very young readers and their adults as well. There’s an excellent read aloud by the author available on YouTube, if you don’t have time to go out and get a copy right away!

 

Recommended for: read alouds for young ones ages two to five, and their adults, and anyone looking for stories that beautifully illustrate the relationships between elders and the very young.

 

Fine print: I received an advanced digital copy of the text from the publisher at Picture Book Palooza. I did not receive any compensation for this post.